Saturday, February 21, 2009

"It was here that I decided to quit before I went embellishment mad"

Before I dive into this, thank you again to Margot Potter for the link to my "Mondrian" inspired choker, in her latest blog post, and to a whole bunch of new crafting/beading/jewelry artists I am following on Twitter and who so kindly have followed me back!

Speaking of Twitter, I tweeted this last night "I'm always wondering, while making vintage-style pieces, when I should stop adding stuff. It's like Granny Ogg and how to spell bananananana".

I really like baroque and complex work, but I also like symmetry, simple lines...it's like having some kind of multiple design personality complex. So when I use intricately textured or ornamental components, it's challenging for me not to just keep adding and adding more chains and dangles and detail, or alternatively, not to add any.

I think last night's work (which was the finishing touch on the pendant I'd started working on weeks ago and put aside unfinished to think about) turned out as a balance between my impulses.



I'll start with the pendant - I received a set of different colored cabochons (all called 'jade' but I think they're another stone that's been dyed, so I'm calling this one 'faux yellow jade') and thought I'd try using some of the brass stampings to wrap them into pendants. I chose a rather large stamping called Maltese Cross (Item S40, Accessories Susan) for the base, and another one called Filigree to Wrap Stones (Item S38, Accessories Susan).


I wrapped the filigree around the stone with the Maltese cross in-between to hold all three pieces together. Then I bent three arms of the cross up and then curled back over to get the setting seen above.

The next thing I did was start experimenting with the chain. At first, right above the pendant, I used some Japanese glass beads with pale yellow rose decals on them, and then put the filigree beads you see above, on the chain as well. I wasn't happy with the rose beads, so they went, but I liked the filigree beads. By the way, there are three tiny yellow faceted Czech glass rounds inside each of those filigree beads to give them a secret inner glint.

I still found the chain a bit dull, so I added the pale yellow faceted Czech glass bicones. Then I looked at it again and wanted to embellish the pendant just a teensy bit more and added the chain loop and then the two chain dangles with the same pale yellow bicones at the ends.

It was here that I decided to quit before I went embellishment mad.

My shipment of silver ox filigrees came the other day, so the next vintage style pieces I do will probably use those. As I mentioned in a previous post, I think the silver will be a better color for Spring and Summer, the brass just seems to say Fall and Winter to me.

Many hours have passed since I wrote that last paragraph...

I think I'll have one more choker frame idea to share soon - been working on another experimental piece, trying something new again, and the way it's deciding to design itself (yes, this piece is growing rather organically since I didn't know where I was going with it, I just started playing and off it went) is looking like it belongs on a choker form. I've been absolutely obsessed with this since about 9 PM and it's now after 2 AM. I think it's nearly done...

I'll leave it a mystery for now and you'll just have to come back and see what it is sometime this weekend.

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